The Powertool Shed

The latest art movement has seen an increase in art or photos reproduced on canvas, mostly due to the digital photo revolution. These days people can take their own photographs with their cameras, go to a canvas printshop and get their holiday / family photos represented on stretched canvas. Or maybe their favourite car, holiday location, or pet dog. In point of fact, any photo photographed can be printed onto canvas in minutes and be artwork on your office walls.

Photo software such as Photoshop and digital cameras have suddenly made it achievable to practically develop your own graphics on canvas - not only saving you some cash by not having to purchase original artwork, but also lending some creative thinking and enjoyment to the task of decorating your surroundings with artwork as well.

These days there are a lot of websites that allow you to upload your photographs, choose your size of canvas, and then purchase it. Normally these pictures appear on canvas stretched utilising stretcher bars.

If there’s a printshop not far from you, you can walk in with your photo, and walk out 5 minutes afterwards with canvas artwork under your arm of your photo - it’s that quick and easy.

What about some examples? Here are some prints of science fiction canvas art. If you need some more ideas, you can always visit a website with photos that are royalty free - then take your purchased photos to a printshop or website that produces canvas prints and get them printed onto canvas.

You can show your poem to your mom, your spouse, your co-workers, or your friends, but you might not get the responses that you can suck up into your little writing fingers to use in an effort to refine your craft. What does it really mean when someone who cares about you, but not for poetry says, “Wow, this is great. I really like it?”

So perhaps you’ve realized this conundrum and you’ve decided to put your poem, ripe and juicy, in the feeding bin of a cyber critique forum. Watch out. If the only feedback you’ve ever gotten on your diligently crafted efforts has been the sweet nothings from those around you, you might be shocked, upset, or saddened at the responses that the critics pile onto your poem. You might get, “This line is cliché;” “The rhyme is a bit forced here;” “The wording in this stanza is awkward;” or the ever dreaded, “What are you trying to say?”

A normal response to a critique with one, some, or all of the above comments can have a newly critiqued poet either running for the cyber exit, or poising himself in the ready for a fist through his monitor. Don’t fret. As I said, these are common first responses; furthermore, even the most experienced poet has his share of poems infected by the harsh words of a critic.

So how does one handle a critique? Well, first, one must understand that a critique isn’t a critique on the poet. Being a great poet doesn’t make one immune to negative critique. The poet must ingest every word a critic throws his way. There is finesse to using critique. A poet doesn’t have to blindly accept a critique, but he should consider just why it is the critic offered the suggestion, and then try to delineate how the critique relates to the aim of the poem.

Say, for example, you wrote a poem with short choppy lines. Your intention was to convey an abrupt sound that resembled the theme of your poem. Say a critic told you, “Your lines are much too short and choppy.” Okay, now you don’t have to go off and explain to the critic that you did it on purpose and that he is obviously ignorant. You might want to give your piece a second look-over, wait for some more responses, and chew on all of that for a while. So, given the critique of “too short and choppy,” you might not want to totally change your piece in an effort to satisfy a critic who didn’t understand what it was you were trying to do, but you could search for a way to keep your style while hinting at your purpose.

Always consider your intentions as compared to the way someone reads your poem. If you are finding that people don’t understand your intentions, you need to re-work your piece within your own design.

The very first honest critique is always the most difficult one to swallow. After that, the critiques don’t go away, they just become welcomed tools for the aspiring as well as established poet.

Devrie Paradowski is a freelance writer and poet. Her poetry has been published by several literary journals and she has written dozens of articles for various publications including “Poetry Renewal Magazine,” and “Poetryscams.com.” She is the author of the chapbook, “Something In the Dirt,” which can be found at http://www.lulu.com/content/108560 . In 2001, Devrie founded a popular online literary community ( http://www.LiteraryEscape.com ) that has become highly respected for some of the most honest and in-depth poetic critique on the Internet. In keeping with her commitment to inspire amateur writers to hone their skills, she also founded a local writer’s group called, “The Fire and Ice Writer’s Group.”