The Powertool Shed

As you look around you can find aspiring singers everywhere. You can turn on the television and see people from all over the world wanting to be famous for singing. It also seems that not everyone has the gift of song. Most just seem to have the gift of being tone deaf. This embarrassment could really be avoided if they took the time to learn the basics of singing by taking private singing lessons. These would include simple things like breathing correctly, drinking the right liquids, and warming up properly. You can read on to learn exactly how to sing straight from the beginning. Welcome to taking singing lessons in home or around your place.

You should start off by finding a place out of the way that you can practice at. This could be a number of different places. It could be your bathroom, den, choir room, even a well lit closet if need be. You should secure this spot for at least a good half hour. You will next want to record your voice singing a simple song. Something like, “Mary had a Little Lamb”. You will want to record yourself weekly to mark your progress. Listening to your own recording can be a rude awakening at times. Most people have an ideal thought of how they think they sound. You have to face the reality of how you really sound and strive to do better or to keep maintaining it.

Once you have done the first steps to taking singing lessons in the home. You then want to practice 2 to 3 times a week at your leisure. You should begin your practice sessions with breathing several deep breaths.This will relax your mind and vocals. Make sure you drink plenty of room temperature water throughout the day. This will help your voice shine and make singing all around easier on you. You should stand up straight with your chest slightly out and shoulders rested. Then begin by humming something simple like “Row Your Boat” or the alphabet song. Do this about 3 times. Then sip some more water. You should then proceed again with the humming it another 3 times. When you are finally ready to sing the words record yourself again to mark your progress. Repeat this process until you ready to do something new.

Jazz music got it’s start in African American communities in the early 20th century. Fans now consist of all races and ages, male and female alike. It quickly gained popularity worldwide to inspire a host of sub genres that include be bob, swing, funk and hip hop. You can now find many places to enjoy live jazz all around the globe that can offer you a wide variety of styles and artists to chose from.

When looking for live jazz in London you might be surprised at how easy it is to find. Jazz fans will love the welcoming feeling of the small pubs and venues as well as the talent that routinely passes through them. These places even offer a variety of food choices that range from the typical British fare to French and Thai. Some of the best places for live jazz in London give you the choice of the higher end venues that boast popular main stream acts or you can find a more intimate gathering of local artists and new comers. Some of the recommended hot spots are the 606 club, Jazz Cafe, the Pigalle Club and the Plough. Whatever your preference you will not go away feeling disappointed.

Track listing:

‘88 AKA Come Down On Me
‘68 AKA Only Time
‘93 AKA Don’t Stop Now
‘95 AKA Make Things Right
‘79 AKA The Shouty Track
‘75 AKA Stay With You
‘76 AKA The Slow Train
‘90 AKA Man Like Me
‘64 AKA Go

North London duo Fred Deakin and Nick Franglen AKA Lemon Jelly return with their unique brand of downbeat madness, melody and whimsical humour.

They’ve come a long way since 2000’s debut album “KY”, a compilation of their first three limited 10″ vinyl EP’s. A rapidly expanding fanbase and the release of 2002’s “Lost Horizon’s” were quickly followed by a Brit and Mercury Music Prize nominations. All of this would have undoubtedly piled the pressure on for their next album release, ‘64-’95, built around a selection of samples spanning those very dates.

The boys appear to have been up for the challenge delivering a wholly traditional Lemon Jelly album but unlike one we’ve seen before. Whilst there is still the abundance of annoyingly catchy piano loops, samples and simplistic melodies that have served them so well in the past, ‘64-’95 immediately appears more mature. Whilst not as instantly likeable as “Lost Horizon’s” this ensures greater longevity and is probably all the better for it.

Long, slow-building tracks like “Only Time”, “Don’t Stop Now” and the aptly titled “The Slow Train” are interspersed with Lemon Jelly’s own guitar anthems, “The Shouty Track” which samples Scottish punks The Scars and the Chemical Brother tribute track “Come Down On Me” which uses samples from the now defunct heavy-metallers Master of Reality. Additional contributions from Terri Walker and Star Trek’s very own William Shatner ensure that the boys deliver the kind of eclectic album we’ve now come to expect and love.

This is the first album they’ve made with an accompanying DVD, lovingly created by Airside, the design company consisting of 50% Deakin. All very incestuous but it really does work well. Now, in addition to the previously unique “Jelly” packaging & artwork, we are given visuals to enhance each track. How nice of them!

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